SILVIO VUJIČIĆ




Silvio Vujičić / E.A. 1/1 A.I.
“Racing Coat”, 2024, designed by SOLL
SOLL is conceptualised by Miro Roman and Silvio Vujičić. SOLL is a fashion designer, an artificial intelligence, a search engine, and a cloud of images. SOLL lives on the internet but manifests itself physically through a fashion brand E.A. 1/1 A.I.
Silvio Vujičić / E.A. 1/1 A.I.
“Racing Coat”, 2024, disegnato da SOLL
SOLL è un progetto ideato da Miro Roman e Silvio Vujičić. SOLL è uno stilista, un’intelligenza artificiale, un motore di ricerca e un cloud di immagini. SOLL vive su Internet ma si manifesta fisicamente attraverso il marchio di moda E.A. 1/1 A.I.
YUIMA NAKAZATO








Yuima Nakazato
“INHERIT”, spring/summer collection, 2023
Stills from the film “Dust to Dust”, 2024, directed by Kosai Sekine. The film follows Japanese fashion designer Yuima Nakazato to Kenyan landfills to explore the environmental impact of textile waste. It highlights the journey toward socially responsible fashion and features the creation of Nakazato's innovative, sustainable materials for his Paris Haute Couture presentation.
Yuima Nakazato
“INHERIT”, collezione primavera/estate 2023
Fotogrammi dal film “Dust to Dust” (2024), diretto da Kosai Sekine. Il film segue lo stilista giapponese Yuima Nakazato nelle discariche del Kenya, dove esplora l’impatto ambientale dei rifiuti tessili. Mette in luce il percorso verso una moda socialmente responsabile e presenta la creazione dei materiali innovativi e sostenibili per la presentazione a Parigi.
FASHIONCLASH


People Carry People (Mensen dragen Mensen), curated by FASHIONCLASH
People Carry People, a large-scale performance created for the Heiligdomsvaart Maastricht 2025 — a centuries-old pilgrimage tradition. Over 100 participants co-created costumes, flags, and objects from discarded textiles collected through a local waste management partnership. The result was a processional performance through the city that wove together themes of community, vulnerability, and recovery — both environmental and human.
Photo credit: Jonathan Widdershoven
People Carry People (Mensen dragen Mensen), a cura di FASHIONCLASH
People Carry People, una performance creata per l'Heiligdomsvaart Maastricht 2025, una tradizione di pellegrinaggio secolare. Oltre 100 partecipanti hanno creato costumi, bandiere e oggetti utilizzando tessuti di scarto raccolti in collaborazione con l’organizzazione di gestione dei rifiuti. Il risultato è stato una performance processionale attraverso la città, che ha intrecciato temi quali comunità, vulnerabilità e recupero, sia ambientali sia umani.
Crediti fotografici: Jonathan Widdershoven
GALINA MIHALEVA


Galina Mihaleva for GALINACOUTURE
“Global Nomad”
Collection of 3D printing on Textile, 2018
Galina Mihaleva per GALINACOUTURE
“Global Nomad”
collezione realizzata con stampa 3D su tessuto, 2018
Galina Mihaleva for GALINACOUTURE
“Sense”
Sense is a poetic piece intended to raise awareness about dying coral reefs globally. These technologically sensitive fabrics are made by adhering a polymer-nanocomposite layer that detects and responds to environmental pollution.
Galina Mihaleva per GALINACOUTURE
“Sense”
“Sense” è pensata per sensibilizzare l’opinione pubblica sul tema della morte delle barriere coralline a livello globale. Questi tessuti tecnologicamente avanzati sono realizzati applicando uno strato di nanocomposito polimerico in grado di rilevare e reagire all’inquinamento ambientale.
ANNA BREIT




Collections created by the students of Fashion & Technology at the University of Linz, photographed by Anna Breit.
Collezioni realizzate dagli studenti del corso di Moda e Tecnologia dell'Università di Linz, fotografate da Anna Breit.
ELISA VAN JOOLEN

Elisa van Joolen—visual artist, Programme Director of the BA Fashion Department at the Gerrit Rietveld Academie in Amsterdam and member of the critical fashion platform Warehouse—will present the project Our Rags Magazine.
Our Rags Magazine (ORM) is a fashion magazine that turns discarded garments into paper. Each handmade issue is a speculative proposal for a magazine set 400 years in the future—a time when transformation and reuse are no longer ethical choices, but absolute necessities. The pages do not just depict clothing; they are clothing.
ORM is a collaborative project by artist Aimée Zito Lema, Elisa van Joolen, and graphic designer Elisabeth Klement, all based in Amsterdam. Launched in 2021, the magazine is made entirely—both in content and form—from recycled clothing, exploring the transformation of discarded textiles into experimental paper. It challenges established norms within the fashion industry while demystifying production processes.
Bringing together artists, fashion professionals, writers, students, and schoolchildren, ORM explores transformation, collective making, and the creative potential of reuse. The transformation of materials and ideas runs throughout the project: how can centuries-old paper craft techniques, shared knowledge, and alternative production methods respond to a world where natural resources are depleted and reuse becomes the only option?

Our Rags Magazine Issue 2
Pictures in high resolution Download
SILVIO VUJIČIĆ




Silvio Vujičić / E.A. 1/1 A.I.
“Racing Coat”, 2024, designed by SOLL
SOLL is conceptualised by Miro Roman and Silvio Vujičić. SOLL is a fashion designer, an artificial intelligence, a search engine, and a cloud of images. SOLL lives on the internet but manifests itself physically through a fashion brand E.A. 1/1 A.I.
Silvio Vujičić / E.A. 1/1 A.I.
“Racing Coat”, 2024, disegnato da SOLL
SOLL è un progetto ideato da Miro Roman e Silvio Vujičić. SOLL è uno stilista, un’intelligenza artificiale, un motore di ricerca e un cloud di immagini. SOLL vive su Internet ma si manifesta fisicamente attraverso il marchio di moda E.A. 1/1 A.I.
YUIMA NAKAZATO








Yuima Nakazato
“INHERIT”, spring/summer collection, 2023
Stills from the film “Dust to Dust”, 2024, directed by Kosai Sekine. The film follows Japanese fashion designer Yuima Nakazato to Kenyan landfills to explore the environmental impact of textile waste. It highlights the journey toward socially responsible fashion and features the creation of Nakazato's innovative, sustainable materials for his Paris Haute Couture presentation.
Yuima Nakazato
“INHERIT”, collezione primavera/estate 2023
Fotogrammi dal film “Dust to Dust” (2024), diretto da Kosai Sekine. Il film segue lo stilista giapponese Yuima Nakazato nelle discariche del Kenya, dove esplora l’impatto ambientale dei rifiuti tessili. Mette in luce il percorso verso una moda socialmente responsabile e presenta la creazione dei materiali innovativi e sostenibili per la presentazione a Parigi.
FASHIONCLASH


People Carry People (Mensen dragen Mensen), curated by FASHIONCLASH
People Carry People, a large-scale performance created for the Heiligdomsvaart Maastricht 2025 — a centuries-old pilgrimage tradition. Over 100 participants co-created costumes, flags, and objects from discarded textiles collected through a local waste management partnership. The result was a processional performance through the city that wove together themes of community, vulnerability, and recovery — both environmental and human.
Photo credit: Jonathan Widdershoven
People Carry People (Mensen dragen Mensen), a cura di FASHIONCLASH
People Carry People, una performance creata per l'Heiligdomsvaart Maastricht 2025, una tradizione di pellegrinaggio secolare. Oltre 100 partecipanti hanno creato costumi, bandiere e oggetti utilizzando tessuti di scarto raccolti in collaborazione con l’organizzazione di gestione dei rifiuti. Il risultato è stato una performance processionale attraverso la città, che ha intrecciato temi quali comunità, vulnerabilità e recupero, sia ambientali sia umani.
Crediti fotografici: Jonathan Widdershoven
GALINA MIHALEVA


Galina Mihaleva for GALINACOUTURE
“Global Nomad”
Collection of 3D printing on Textile, 2018
Galina Mihaleva per GALINACOUTURE
“Global Nomad”
collezione realizzata con stampa 3D su tessuto, 2018
Galina Mihaleva for GALINACOUTURE
“Sense”
Sense is a poetic piece intended to raise awareness about dying coral reefs globally. These technologically sensitive fabrics are made by adhering a polymer-nanocomposite layer that detects and responds to environmental pollution.
Galina Mihaleva per GALINACOUTURE
“Sense”
“Sense” è pensata per sensibilizzare l’opinione pubblica sul tema della morte delle barriere coralline a livello globale. Questi tessuti tecnologicamente avanzati sono realizzati applicando uno strato di nanocomposito polimerico in grado di rilevare e reagire all’inquinamento ambientale.
ANNA BREIT




Collections created by the students of Fashion & Technology at the University of Linz, photographed by Anna Breit.
Collezioni realizzate dagli studenti del corso di Moda e Tecnologia dell'Università di Linz, fotografate da Anna Breit.
ELISA VAN JOOLEN


Our Rags Magazine Issue 2
Elisa van Joolen—visual artist, Programme Director of the BA Fashion Department at the Gerrit Rietveld Academie in Amsterdam and member of the critical fashion platform Warehouse—will present the project Our Rags Magazine.
Our Rags Magazine (ORM) is a fashion magazine that turns discarded garments into paper. Each handmade issue is a speculative proposal for a magazine set 400 years in the future—a time when transformation and reuse are no longer ethical choices, but absolute necessities. The pages do not just depict clothing; they are clothing.
ORM is a collaborative project by artist Aimée Zito Lema, Elisa van Joolen, and graphic designer Elisabeth Klement, all based in Amsterdam. Launched in 2021, the magazine is made entirely—both in content and form—from recycled clothing, exploring the transformation of discarded textiles into experimental paper. It challenges established norms within the fashion industry while demystifying production processes.
Bringing together artists, fashion professionals, writers, students, and schoolchildren, ORM explores transformation, collective making, and the creative potential of reuse. The transformation of materials and ideas runs throughout the project: how can centuries-old paper craft techniques, shared knowledge, and alternative production methods respond to a world where natural resources are depleted and reuse becomes the only option?
Pictures in high resolution Download
SUPPORTED BY







IN COLLABORATION WITH







WITH PATRONAGE OF THE CAMERA NAZIONALE DELLA MODA ITALIANA

INSTAGRAM
@EXPERIMENTS.FASHION.ART
SUPPORTED BY







IN COLLABORATION WITH







WITH PATRONAGE OF THE CAMERA NAZIONALE DELLA MODA ITALIANA

INSTAGRAM
@EXPERIMENTS.FASHION.ART